JACOPO NIZZOLA DA TREZZO (c. 1514-1589) Mary Tudor (1516-1558), Queen of England, 1553-1558, gold medal, MARIA I REG ANGL FRANC ET HIB FIDEI DEFENSATRIX (Mary I, Queen of England, France and Ireland, Defender of the Faith), bust left, wearing an ornately embroidered gown, a brooch with pendant pearl at the breast, and a cap adorned with jewels, with a veil falling down the back; below, signed IAC TREZ, rev., CECIS VISVS TIMIDIS QVIES (Sight to the blind, tranquility to the fearful), a figure of Peace, wearing antique drapery and a radiate crown, seated on a throne facing threequarters right, holding palm and olive branches in her raised right hand and, in her left, a flaming torch with which she sets fire to a pile of arms and armour laid out before her; below the throne are a cube with two clasped hands on one of its sides and a pair of scales (symbolizing Stability, Unity and Justice); to the left, a group of suppliant figures is beset by storms; to the right are other figures and a round temple; above, rays issuing from a cloud; in the foreground, a river, 67.7mm, 151.80g (Attwood 80a; Scher 54 (both describing the British Museum gold example with a diameter of 69 mm and weight of 183.48g); MI I, 72, 20; Armand I, 241, 3; van Loon I, 10; Bargello 725 (silver, 67.5mm); Middeldorf & Steibral pl. 72 (silver, 68mm, ex Chigi collection); Attwood 80b (silver, 66mm, British Museum); B?rner 776 (bronze, 67.5mm), with a black inventory number R2463 inked on the reverse, some field scratches but a superb contemporary cast, one of only two known in gold. Ex The late Baroness Batsheva de Rothschild collection, Christie's, 14th December 2000, lot 36; the inventory number R2463 on the reverse. Batsheva de Rothschild may have acquired the medal by inheritance and its previous owner was most probably Baron Alphonse de Rothrscild (1827-1905) who, it has been suggested, bought it in a lot of twenty-two works of art from the Viennese Habsburgs; The Estate of John R. Gaines, Morton & Eden, 21 April 2005, lot 11; exhibited alongside the other known gold medal of Mary Tudor at the exhibition Renaissance Faces, The National Gallery, London, 15 October 2008-18 January 2009, exhibition catalogue p. 284, 98.
Elizabeth I, silver oval portrait medal by Simon de Passe, circa 1616, oval silver portrait medal, by Simon de Passe, in imitation of engraving, signed "Si: Pas. f", in narrow border at top of obverse, bust of Elizabeth three-quarters right, her eyes turned to the viewer, wearing small crown, her hair richly jeweled, high ruff collar and her "Armada" dress (after the miniature by Isaac Oliver), rev., crowned Royal shield within Garter, Lion and Unicorn supporters, DIEV ET MON DROIT on ribbon above, Latin epigram on tablet below, QVI LEO DE IVDA EST ET FLOS DE IESSE LEONES PROTEGAT ET FLORES ELIZABETHA TVOS, 61 x 49.5 mm (MI 183/187; Farquhar 138). Ex Morton & Eden, 20-21 May 2003, lot 1116; Ex Rt. Hon. Erik Alexander, 5th Earl of Caledon Collection, Christie's 4 April, 1967, lot 137.
JACOPO NIZZOLA DA TREZZO (c. 1514-1589) Mary Tudor (1516-1558), Queen of England, 1553-1558, gold medal, MARIA I REG ANGL FRANC ET HIB FIDEI DEFENSATRIX (Mary I, Queen of England, France and Ireland, Defender of the Faith), bust left, wearing an ornately embroidered gown, a brooch with pendant pearl at the breast, and a cap adorned with jewels, with a veil falling down the back; below, signed IAC TREZ, rev., CECIS VISVS TIMIDIS QVIES (Sight to the blind, tranquility to the fearful), a figure of Peace, wearing antique drapery and a radiate crown, seated on a throne facing threequarters right, holding palm and olive branches in her raised right hand and, in her left, a flaming torch with which she sets fire to a pile of arms and armour laid out before her; below the throne are a cube with two clasped hands on one of its sides and a pair of scales (symbolizing Stability, Unity and Justice); to the left, a group of suppliant figures is beset by storms; to the right are other figures and a round temple; above, rays issuing from a cloud; in the foreground, a river, 67.7mm, 151.80g (Attwood 80a; Scher 54 (both describing the British Museum gold example with a diameter of 69 mm and weight of 183.48g); MI I, 72, 20; Armand I, 241, 3; van Loon I, 10; Bargello 725 (silver, 67.5mm); Middeldorf & Steibral pl. 72 (silver, 68mm, ex Chigi collection); Attwood 80b (silver, 66mm, British Museum); B?rner 776 (bronze, 67.5mm), with a black inventory number R2463 inked on the reverse, some field scratches but a superb contemporary cast, one of only two known in gold. Ex The late Baroness Batsheva de Rothschild collection, Christie's, 14th December 2000, lot 36; the inventory number R2463 on the reverse. Batsheva de Rothschild may have acquired the medal by inheritance and its previous owner was most probably Baron Alphonse de Rothrscild (1827-1905) who, it has been suggested, bought it in a lot of twenty-two works of art from the Viennese Habsburgs; The Estate of John R. Gaines, Morton & Eden, 21 April 2005, lot 11; exhibited alongside the other known gold medal of Mary Tudor at the exhibition Renaissance Faces, The National Gallery, London, 15 October 2008-18 January 2009, exhibition catalogue p. 284, 98.
Elizabeth I, silver oval portrait medal by Simon de Passe, circa 1616, oval silver portrait medal, by Simon de Passe, in imitation of engraving, signed "Si: Pas. f", in narrow border at top of obverse, bust of Elizabeth three-quarters right, her eyes turned to the viewer, wearing small crown, her hair richly jeweled, high ruff collar and her "Armada" dress (after the miniature by Isaac Oliver), rev., crowned Royal shield within Garter, Lion and Unicorn supporters, DIEV ET MON DROIT on ribbon above, Latin epigram on tablet below, QVI LEO DE IVDA EST ET FLOS DE IESSE LEONES PROTEGAT ET FLORES ELIZABETHA TVOS, 61 x 49.5 mm (MI 183/187; Farquhar 138). Ex Morton & Eden, 20-21 May 2003, lot 1116; Ex Rt. Hon. Erik Alexander, 5th Earl of Caledon Collection, Christie's 4 April, 1967, lot 137.