NUMISMATIC NUDIES Publique Deposited

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  • The E-Sylum: Volume 5, Number 23, June 2, 2002, Article 12

    NUMISMATIC NUDIES

    A news item about Philadelphia models who pose nude
    for artists wanting to form a union triggered my memory
    of who has modeled nude for artists creating medallic
    models. Of course, the Philadelphians wanted more
    money, $15 an hour instead of $12, and, perhaps,
    cushions for where flesh meets any hard surface.

    Both sexes are in demand for the human form. But it is not
    just for art students to learn the location of muscles and to
    commit graceful body curves to memory. Experienced
    artists still need the realism a live model provides. In 1929
    Laura Gardin Fraser used her male studio assistant for
    America's most prestigious sculpture award, the National
    Sculpture Society's Special Medal of Honor. We found
    the photograph of artist and model and reproduced it on
    the sleeve of the video I wrote for "The Medal Maker."
    [Are numismatic videos considered literature within the
    precepts of the Numismatic Bibliomania Society?]

    The nude human form removes time from a medallic design.
    Clothing dates a design because of fashions. The nude human
    is timeless and classic and was chosen by sculptor Robert A.
    Weinman when, in 1950, he designed a new series of the
    most artistic award medals for the N.C.A.A. (recently
    replaced by pictographs). He needed models for each sport.
    Surprisingly, my old boss at Medallic Art Company, Bill Louth,
    volunteered to do Golf. So he is preserved in perpetuity in his
    best swing stance in the buff. Both men are still alive and can
    verify this story, but it was also printed in Sports Illustrated in
    1972 in an article on sports awards and trophies.

    P.S. This does lead to some incongruities. The Ice Skater is
    also shown in the nude. Shiver! The Philadelphia models
    story can be found at:

    http://www.washingtonpost.com/ac2/wp-dyn/A62466-2002May23

URL source Date publiée
  • 2002-06-02
Volume
  • 5

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Auteur NNP