[Colonial Numismatics] Willow/NE Shilling is Phony Publique Deposited

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  • From sfmartin@corp.sytexinc.com Thu Oct 24 12:19:10 2002
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    Subject: Re: [Colonial Numismatics] Willow/NE Shilling is Phony
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    From: Syd Martin <sfmartin@corp.sytexinc.com>
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    Jeff: the real issue is not that someone buys them for what they are
    and enjoys them as such, but rather that somehow (estate or otherwise)
    they subsequently enter the market as "real." With Betts
    forgeries/fantasies, at least there was/is a list of (if not all) what
    was produced and the subtle differences. If we could produce a CD or
    photo-file of all these "recent" forgeries, the problem could be avoided
    somewhat in the future. But this doesn't seem tobe being done. Syd

    Rosaamltd@aol.com wrote:

    > Hi Syd. One of the problems here is that it is NOT illegal to sell
    > copies that aren't marked with the "COPY" stamp. First off, the
    > seller is purporting these to be of the 19th century or early 20th
    > centruy, long before the Hobby Protection Act was passed -- and there
    > is no provision that earlier copies need to be marked as such. Now,
    > regardless of whether we believe that his pieces are being very
    > recently made, there is simply no real way to PROVE that they are
    > newly produced. Secondly, the Hobby Protection Act ONLY applies to US
    > coins...it does NOT cover colonial issues. Ironically, one of the
    > cases that actually went to court over it involved a 1787 Fugio copper
    > which did not have the "COPY" stamp -- the decision reached was that
    > only official US coinage was subject to the terms of the Act -- even
    > though the Fugio's could have been argued as one of the first official
    > coinages by the new nation!
    >
    > The only thing that seems reasonable to me is that if you think they
    > are neat items (to me they seem a modern equivalent of the Betts
    > forgeries, for instance), then buy them for what they are worth to you
    > -- in my case $15 to $30 a pop doesn't seem unreasonable for the
    > amount of work that must have been involved. If you don't like them
    > at all, then don't buy them -- I'm sure there were many contemporaries
    > of Betts that shunned his production as well.
    >
    > Jeff Rock
    > Yahoo! Groups Sponsor

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    Jeff:  the real issue is not that someone buys them for what they
    are and enjoys them as such, but rather that somehow (estate or otherwise)
    they subsequently enter the market as "real."  With Betts forgeries/fantasies,
    at least there was/is a list of (if not all) what was produced and the
    subtle differences.  If we could produce a CD or photo-file of all
    these "recent" forgeries, the problem could be avoided somewhat in the
    future.  But this doesn't seem tobe being done.  Syd
    <p>Rosaamltd@aol.com wrote:
    <blockquote TYPE=CITE> <font face="Arial"><font size=-1>Hi Syd. 
    One of the problems here is that it is NOT illegal to sell copies that
    aren't marked with the "COPY" stamp.  First off, the seller is purporting
    these to be of the 19th century or early 20th centruy, long before the
    Hobby Protection Act was passed -- and there is no provision that earlier
    copies need to be marked as such.  Now, regardless of whether we believe
    that his pieces are being very recently made, there is simply no real way
    to PROVE that they are newly produced.  Secondly, the Hobby Protection
    Act ONLY applies to US coins...it does NOT cover colonial issues. 
    Ironically, one of the cases that actually went to court over it involved
    a 1787 Fugio copper which did not have the "COPY" stamp -- the decision
    reached was that only official US coinage was subject to the terms of the
    Act -- even though the Fugio's could have been argued as one of the first
    official coinages by the new nation!</font></font>
    <p><font face="Arial"><font size=-1>The only thing that seems reasonable
    to me is that if you think they are neat items (to me they seem a modern
    equivalent of the Betts forgeries, for instance), then buy them for what
    they are worth to you -- in my case $15 to $30 a pop doesn't seem unreasonable
    for the amount of work that must have been involved.  If you don't
    like them at all, then don't buy them -- I'm sure there were many contemporaries
    of Betts that shunned his production as well.</font></font>
    <p><font face="Arial"><font size=-1>Jeff Rock</font></font>
    <br>
    <br><tt>To unsubscribe from this group, send an email to:</tt>
    <br><tt>colonial-coins-unsubscribe@egroups.com</tt>
    <br> 
    <br> 
    <p><tt>Your use of Yahoo! Groups is subject to the <a href="http://docs.yahoo.com/info/terms/">Yahoo!
    Terms of Service</a>.</tt></blockquote>
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URL source Date publiée
  • 2002-10-24
Volume
  • 1

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Auteur NNP