NUMISMATICS AND THE EARLY THERMOPLASTICS INDUSTRY 上市 Deposited

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  • The E-Sylum: Volume 9, Number 10, March 5, 2006, Article 8

    NUMISMATICS AND THE EARLY THERMOPLASTICS INDUSTRY

    Dick Johnson writes: "Reading this article you are going to claim
    I am on a soapbox for Scovill Manufacturing Company of Waterbury
    (since so many of my replies mention this firm). This Connecticut
    firm made coin blanks for the U.S. Mint to strike Flying Eagle
    cents (continued making both cent and nickel blanks for U.S. Mint
    up until 1905), they struck coins for foreign governments. They
    struck the award medals for the Columbian Exposition (too big a
    job for the Philadelphia Mint, this took Scovill two years!).

    Scovill dominated the manufacture of metal street car tokens and
    sales tax tokens in the 20th century. I could go on mentioning
    numismatic items from Hard Times Tokens in 1833 to Abraham Lincoln
    ferrotypes in 1865 to World War II victory pins, all made by this
    Waterbury firm. They were also a pioneer in thermoplastics.

    Rubber was commercially vulcanized in Connecticut (after Goodyear's
    experiments in NYC in 1844), leading to the use of other resins
    mixed with polymers to form "thermoplastics." Celluloid was mentioned
    by Katie Jaeger in her February Numismatist article on the medals
    of the American Institute (also mentioned in last week's E-Sylum).
    Alan Weinberg also commented last week and was correct in stating
    that hard rubber, gutta percha and vulcanite were early forms of
    thermoplastics. This was the beginning of today's plastics industry.

    But it was the metal industry firms in central Connecticut valley
    which took the celluloid ball and ran with it. Experimenting, creating
    the tools and techniques to make the stuff. Commercializing it (like
    the first rubber shoe sole plant in Hamden CT). These firms were
    located from New Haven up into Massachusetts - including Scovill
    in Waterbury -- just after the Civil War when industry was budding.

    In hindsight it seems, employees who worked at the large firms making
    thermoplastics, broke away from these firms once they learned how
    easy it was to make the stuff. They created their own little cottage
    factories (in small towns dotting the CT valley).

    They couldn't do this for coins and tokens. Large firms, like
    Scovill, had the costly rolling mills, upsetting machines and
    striking press - all expensive and requiring lots of space. Just
    the opposite for manufacturing thermoplastics. The press for making
    small thermoplastic objects - tokens were ideal! - was similar to
    and not much larger than a waffle iron!

    Mixing two components together and putting a dollop in the iron
    press and closing the lid - the heat and a some pressure made
    small products (tokens, buttons, and small parts, even combs).
    Set it up in an outbuilding on Monday, press it on Tuesday, and
    sell it on Wednesday. That easy!

    Daguerreotype cases were also made of thermoplastics in the same
    manner. (Scovill was a pioneer in early photography and equipment,
    too. Of course they made these cases to display photographs printed
    on thin metal plates they also supplied.) Daguerreotype cases were
    formed from molds made by the same engravers who cut the big firm's
    dies. By adding chemical dyes to the resin and polymers they could
    even make the thermoplastic objects in color.

    And this leads to an interesting story. Up to this time, the word
    for "die," the tool to strike coins, tokens and medals, was spelled
    "dye" in America. With chemical dyes in the plant at the same time,
    it was confusing. These very firms (including Scovill) ordered the
    spelling to "die" for striking tools. Keep spelling chemicals "dye."

    You had to remember a "die" changes a shape, a "dye" changes a color.

    Second interesting story. Hiram Washington Hayden (1820-1904) was
    hired by Scovill as a teenager to cut button dies. He rose through
    the ranks, learned business, worked for other companies, formed his
    own company with partners, Holmes, Booth and Haydens (with his
    brother). Prospered, innovative, he received 58 patents (including
    the technique for making metal tubing), owned multiple plants,
    became wealthy - in fact he is the only engraver (listed in my coin
    and medal artists directory) who became a 19th century millionaire!

    His mansion still stands today in Waterbury and he was one of the
    first installed in Waterbury's Hall of Fame. He remained an artist
    throughout life and even submitted a design, at the invitation of
    the U.S. Treasury, for the silver dollar change in 1892, twelve
    years before he died.

    Late in life he was asked what he was most proud of in his eventful
    life. He replied: It was the mold he created for a daguerreotype
    case!"

    [This is fascinating information. Thanks, Dick! By the way,
    Scovill also manufactured U.S. Encased Postage Stamps for inventor/
    entrepreneur John Gault. -Editor]

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  • 2006-03-05
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