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- From gnichols@cogeco.ca Fri Oct 25 10:00:41 2002
Return-Path: <gnichols@cogeco.ca> X-Sender: gnichols@cogeco.ca X-Apparently-To: colonial-coins@yahoogroups.com Received: (EGP: mail-8_2_2_1); 25 Oct 2002 17:00:41 -0000 Received: (qmail 17918 invoked from network); 25 Oct 2002 17:00:41 -0000 Received: from unknown (66.218.66.218) by m8.grp.scd.yahoo.com with QMQP; 25 Oct 2002 17:00:41 -0000 Received: from unknown (HELO fep5.cogeco.net) (216.221.81.25) by mta3.grp.scd.yahoo.com with SMTP; 25 Oct 2002 17:00:41 -0000 Received: from default (d150-3-210.home.cgocable.net [24.150.3.210]) by fep5.cogeco.net (Postfix) with SMTP id 8E2B26257 for <colonial-coins@yahoogroups.com>; Fri, 25 Oct 2002 13:00:39 -0400 (EDT) Message-ID: <001601c27c47$dc8940e0$d2039618@scwe2.on.cogeco.ca> To: <colonial-coins@yahoogroups.com> References: <LPBBKJNANGIPBNPALMHPCENADBAA.copperclem@attbi.com> Subject: Re: [Colonial Numismatics] Wood-17? Date: Fri, 25 Oct 2002 12:59:20 -0400 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_NextPart_000_0013_01C27C26.55560F20" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.2919.6600 X-MIMEOLE: Produced By Microsoft MimeOLE V5.00.2919.6600 From: "Gord Nichols" <gnichols@cogeco.ca> X-Yahoo-Group-Post: member; u=93054328 X-Yahoo-Profile: tokengord
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Hi Clem
That is a Wood 17. Check the bow and ribands(ribbons). They appear as if th= ey are a little man bending to tie his ski boots.????? The point is that on= Wood 17(and 18) the little man's back follows the nape of George's neck ex= actly. There is a narrow (always the same width) channel between the little= man's back and the back or nape of George's neck.=20
Check a Wood 16 (or the Charlton photo of a Wood 17 which is a Wood 16) at = the bow and ribbons. The 'little man's' back has 2 huge triangular points i= n it and doesn't follow the nape of George's neck at all. Also on Wood 16 t= he 'little man' has a crook in his neck.
With respect to your lack of detail on the lower part of the reverse perhap= s you have a different die rotation. If you check the scan of the Wood 25 I= sent against the Baker speciman in the Taylor catalog you will note that t= he Baker speciman has no detail on the bottom of the obverse and mine has p= lenty. Mine is a 90 degrees rotation while I think most previously known sp= ecimans were coin turn. Die rotation does matter.
Or perhaps yours is just weakly struck. I have noticed what appears to be a= wide varience in striking pressure with many of the commoner blacksmiths. = Of relatively high grade looking pieces some will appear to be flat with al= most zero relief while others have plenty of relief but still no details. A= ny details on the reverse of a Wood 17 are shallowly cut at best and a spec= imen must be well struck to show them.
I hope this is of some help. Gord ----- Original Message -----=20 From: Clement V. Schettino=20 To: C4=20 Cc: Clem at Work=20 Sent: Friday, October 25, 2002 7:36 AM Subject: [Colonial Numismatics] Wood-17?
Hey Gord,
Well I suppose this image makes my claims look pretty weak, but it's the best I could get with a scanner. I had to way over lighten to show the detail I did. There is considerably more detail on the bust and a bit mor= e on the nose, as well as on the reverse, especially at the spray and below that arm. All that "stuff" that looks like dirt, is dirt. I've got some B= lue Ribbon on it trying to soften it up.
In "the brass" the coin appears quite choice, and I'm happy with it anywa= y.
But it is a 17, right?
Clem
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"> <HTML><HEAD> <META content=3D"text/html; charset=3Dwindows-1252" http-equiv=3DContent-Ty= pe> <META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR> <STYLE></STYLE> </HEAD> <BODY bgColor=3D#ffffff> <DIV><FONT face=3DArial size=3D2>Hi Clem</FONT></DIV> <DIV> </DIV> <DIV><FONT face=3DArial size=3D2>That is a Wood 17. Check the bow and=20 ribands(ribbons). They appear as if they are a little man bending to tie hi= s ski=20 boots.????? The point is that on Wood 17(and 18) the little man's back foll= ows=20 the nape of George's neck exactly. There is a narrow (always the same width= )=20 channel between the little man's back and the back or nape of George's neck= .=20 </FONT></DIV> <DIV><FONT face=3DArial size=3D2></FONT> </DIV> <DIV><FONT face=3DArial size=3D2>Check a Wood 16 (or the Charlton photo of = a Wood 17=20 which is a Wood 16) at the bow and ribbons. The 'little man's' back has 2 h= uge=20 triangular points in it and doesn't follow the nape of George's neck at all= .=20 Also on Wood 16 the 'little man' has a crook in his neck.</FONT></DIV> <DIV> </DIV> <DIV><FONT face=3DArial size=3D2>With respect to your lack of detail on the= lower=20 part of the reverse perhaps you have a different die rotation. If you check= the=20 scan of the Wood 25 I sent against the Baker speciman in the Taylor catalog= you=20 will note that the Baker speciman has no detail on the bottom of the obvers= e and=20 mine has plenty. Mine is a 90 degrees rotation while I think most previousl= y=20 known specimans were coin turn. Die rotation does matter.</FONT></DIV> <DIV> </DIV> <DIV><FONT face=3DArial size=3D2>Or perhaps yours is just weakly struck. I = have=20 noticed what appears to be a wide varience in striking pressure with many o= f the=20 commoner blacksmiths. Of relatively high grade looking pieces some will app= ear=20 to be flat with almost zero relief while others have plenty of relief but s= till=20 no details. Any details on the reverse of a Wood 17 are shallowly cut at be= st=20 and a specimen must be well struck to show them.</FONT></DIV> <DIV> </DIV> <DIV><FONT face=3DArial size=3D2>I hope this is of some help.</FONT></DIV> <DIV><FONT face=3DArial size=3D2>Gord</FONT></DIV> <BLOCKQUOTE=20 style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0p= x; PADDING-LEFT: 5px; PADDING-RIGHT: 0px"> <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV> <DIV=20 style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>Fro= m:</B>=20 <A href=3D"mailto:CopperClem@attbi.com" title=3DCopperClem@attbi.com>Clem= ent V.=20 Schettino</A> </DIV> <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20 href=3D"mailto:colonial-coins@yahoogroups.com"=20 title=3Dcolonial-coins@yahoogroups.com>C4</A> </DIV> <DIV style=3D"FONT: 10pt arial"><B>Cc:</B> <A=20 href=3D"mailto:clement.schettino@axcelis.com"=20 title=3Dclement.schettino@axcelis.com>Clem at Work</A> </DIV> <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, October 25, 2002 7:3= 6=20 AM</DIV> <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> [Colonial Numismatics]=20 Wood-17?</DIV> <DIV><BR></DIV><TT>Hey Gord,<BR><BR>Well I suppose this image makes my cl= aims=20 look pretty weak, but it's the<BR>best I could get with a scanner. I had = to=20 way over lighten to show the<BR>detail I did. There is considerably more= =20 detail on the bust and a bit more<BR>on the nose, as well as on the rever= se,=20 especially at the spray and below<BR>that arm. All that "stuff" that look= s=20 like dirt, is dirt. I've got some Blue<BR>Ribbon on it trying to soften i= t=20 up.<BR><BR>In "the brass" the coin appears quite choice, and I'm happy wi= th it=20 anyway.<BR><BR>But it is a 17, right?<BR><BR>Clem<BR></TT><BR><BR><TT>To= =20 unsubscribe from this group, send an email=20 to:<BR>colonial-coins-unsubscribe@egroups.com<BR><BR></TT><BR><BR><TT>You= r use=20 of Yahoo! Groups is subject to the <A=20 href=3D"http://docs.yahoo.com/info/terms/">Yahoo! Terms of Service</A>.</= TT>=20 <BR></BLOCKQUOTE></BODY></HTML>
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